Heard from a pretty old tape of Bhai Gurbaksh Singh Gambhir singing the Shabad: "Vin Bolia Sabh Kich Jaanda Kis Aagai Keechai Ardaas?"
Sorry - not Title Raag though.
I love this tune, especially when playing/singing it and thinking of what the words mean - It's so relaxing that it gives me goosebumps.
Find it here .
Tuesday, June 3, 2008
Sunday, May 18, 2008
Raag Darbari (Mishr) - Simar Mana Raam Naam Chitare
it took several mistakes before it started flowing ..
Tune for the Shabad: SIMAR MANA RAAM NAAM CHITARE
often heard sung by Bhai Niranjan Singh Jawaddi Kalan Wale .
Mishr Darbari
14 beat
-
good Practice
Tune for the Shabad: SIMAR MANA RAAM NAAM CHITARE
often heard sung by Bhai Niranjan Singh Jawaddi Kalan Wale .
Mishr Darbari
14 beat
-
good Practice
Monday, May 12, 2008
Bhoopali at a World Music Festival
Ajarn* Maiya Singh Ji was invited to play at the "Rhythm of the Earth" world music festival - at Central World , Bangkok - May 2008.
Satpal Singh Ji (Ustadji's nephew) is on Tabla.
the Thai word for "Teacher"/"Ustad" is Ajarn - pronounced aa-charn
Raag Bhoopali - Tintaal
1.
2.
3.
Kindly excuse my playing - looking back at the video: I think my playing took more away from the music than it did add ... oh well - we had zero practice as a group before the event, so I shouldn't beat myself up about it too much eh?
Ustadji and Satpal Singh were awesome though!
We were initially given 1 hour stage time and were planning to play Raag Yaman. On the day, we were requested to cut it down to 20 mins due to various time constraints. Ustadji wanted to switch to Bhoopali, thinking that it would be easier for an audience unaccustomed to Classical Indian Music to digest and enjoy. my opinion: Good Decision !
Satpal Singh Ji (Ustadji's nephew) is on Tabla.
the Thai word for "Teacher"/"Ustad" is Ajarn - pronounced aa-charn
Raag Bhoopali - Tintaal
1.
2.
3.
Kindly excuse my playing - looking back at the video: I think my playing took more away from the music than it did add ... oh well - we had zero practice as a group before the event, so I shouldn't beat myself up about it too much eh?
Ustadji and Satpal Singh were awesome though!
We were initially given 1 hour stage time and were planning to play Raag Yaman. On the day, we were requested to cut it down to 20 mins due to various time constraints. Ustadji wanted to switch to Bhoopali, thinking that it would be easier for an audience unaccustomed to Classical Indian Music to digest and enjoy. my opinion: Good Decision !
Wednesday, May 7, 2008
Tanti Saaz workshop in Birmingham, UK
I wish I could be there to join in the fun :)
Announcement:
Ustaad Surjeet Singh (student of the world famous Pt Ram Narayan) and grand-teacher of the Gurmat Sangeet Academy is leading a one day intensive strings workshop in Birmingham on Sunday 1st of June.
If you would like to improve your Taus/ Dilruba/ Esraaj or Sarangi skills, then this is the workshop to attend. All abilities will be catered for.
The workshop will run from 10am to 4pm and will cater for all abilities. The fee for the day will be £10 (£6 for concs.).
For more details, email info@gurmatsangeet.org
Friday, May 2, 2008
Dhol Experiment
IF
* You play tabla reasonably well
* You have a dhol handy - preferably one with a Plastic/Synthetic Skin on the Bass side.
Experiment:
* Put some Atta on the Bass Side - you'll have to experiment with quantity of Atta vs resulting tonal quality.
* try playing with your hands - Phakawaj style
* If you know Khuley Bol - Perfect ! if not .. check out some videos on youtube and pretend ! :)
* also pls try playing some basic thekas - tintal , kaherva , rupak , dadra etc.
The thing is - I KNOW that it will sound good .. but am unable experiment for myself due to no-dhol-at-home syndrome.
About a year ago, I had to play dholki for one of my sister's wedding functions - It sounded horrible. I put a fistful of atta on the bass side, and the moisture sort of crept in and caused the skin to loosen, wrinkle up and sound like a wet blanket when hit.
I then cleaned off the Atta, wiped the skin thoroughly and waited 10 mins for it to dry. Once it was back to normal, I put a tiny bit of atta back on it. (the circle was about as big as the tip of my thumb - yep that's it .. very small.) Worked great !
So kindly try it out, and post some videos :)
Thank you.
* You play tabla reasonably well
* You have a dhol handy - preferably one with a Plastic/Synthetic Skin on the Bass side.
Experiment:
* Put some Atta on the Bass Side - you'll have to experiment with quantity of Atta vs resulting tonal quality.
* try playing with your hands - Phakawaj style
* If you know Khuley Bol - Perfect ! if not .. check out some videos on youtube and pretend ! :)
* also pls try playing some basic thekas - tintal , kaherva , rupak , dadra etc.
The thing is - I KNOW that it will sound good .. but am unable experiment for myself due to no-dhol-at-home syndrome.
About a year ago, I had to play dholki for one of my sister's wedding functions - It sounded horrible. I put a fistful of atta on the bass side, and the moisture sort of crept in and caused the skin to loosen, wrinkle up and sound like a wet blanket when hit.
I then cleaned off the Atta, wiped the skin thoroughly and waited 10 mins for it to dry. Once it was back to normal, I put a tiny bit of atta back on it. (the circle was about as big as the tip of my thumb - yep that's it .. very small.) Worked great !
So kindly try it out, and post some videos :)
Thank you.
Monday, April 28, 2008
Student Esraj Prototype: Sound Check + Instrument test
An Esraj for students / beginners .
Prototype #2.
Made by a friend.
(#1 is with him)
Sound Check + Instrument test.
actually made for a private conversation btwn the creator and myself , but its here because I haven't posted in a while.
the tune i'm TRYING to play is Saach Kaho Sun Leho Sabai in Raag Bihag , heard from recordings of Bhai Avtar Singh ji.
other than that it's not in any coherent raag.
Wednesday, March 19, 2008
Beachside Bhimpalasi
I've been working on putting together a few relaxing sounding tracks of Ustadji playing his Esraj (without the TarShehnai attachment) . I requested that he reduce the very energetic Tihais and Gamaks so the music sounds chilled out.
I will then add some layers to the sound to make it sound nicer.
I've managed to upload the first one to myspace. Do check it out and let me know what you think - it's the first track " Beachside Bhimpalasi 10beat "
Once I'm happy with about 4 tracks , I'll make them available for download as a set (free) - If anyone's interested.
I will then add some layers to the sound to make it sound nicer.
I've managed to upload the first one to myspace. Do check it out and let me know what you think - it's the first track " Beachside Bhimpalasi 10beat "
Once I'm happy with about 4 tracks , I'll make them available for download as a set (free) - If anyone's interested.
Saturday, March 1, 2008
So Kim Manas Roop Kahaye - tune
Free Esraj Music MP3
Recording of Me attempting to play the tune for "So Kim Manas Roop Kahaye" (right click and choose (SAVE LINK AS))- composition heard sung by Bhai Baljeet Singh / Bhai Gurmeet Singh . This is another one of my all time favorite compositions - Find it and buy it if you don't have it. The original is AMAZING to listen to.
Raag Alhaiya Bilawal
Taal supposed to be Tintaal - Punjabi Theka - but I'm not exactly playing according to any beat. Was more focused on getting the Expression to match my memory of Bhai Baljeet Singh / Bhai Gurmeet Singh's version.
I'm pretty sure I can play it in beat too , I'll just have to record myself playing tabla for 10 mins and play it back while playing Dilruba.
I made a few mistakes here and there , and my ending is clearly the wrong Raag ;) but hey - I'm still sorta happy with it.
Recording of Me attempting to play the tune for "So Kim Manas Roop Kahaye" (right click and choose (SAVE LINK AS))- composition heard sung by Bhai Baljeet Singh / Bhai Gurmeet Singh . This is another one of my all time favorite compositions - Find it and buy it if you don't have it. The original is AMAZING to listen to.
Raag Alhaiya Bilawal
Taal supposed to be Tintaal - Punjabi Theka - but I'm not exactly playing according to any beat. Was more focused on getting the Expression to match my memory of Bhai Baljeet Singh / Bhai Gurmeet Singh's version.
I'm pretty sure I can play it in beat too , I'll just have to record myself playing tabla for 10 mins and play it back while playing Dilruba.
I made a few mistakes here and there , and my ending is clearly the wrong Raag ;) but hey - I'm still sorta happy with it.
Tuesday, February 12, 2008
Awesome old Picture

Starting from left:
1st guy is holding an Esraj. Looks like there are no sympathetics. And there seem to be sound holes on the top section of the sound-box as well. very interesting ...
2nd guy's instrument looks to be a Sitar.
3rd guy's looks like a Veena - although I am not certain.
4th guy is holding a Taus. Doesnt look like the ones you see nowadays - but very cool nonetheless.
Monday, January 28, 2008
More of Bhai Gurmit Singh Shant
Recorded at my place , 16th Jan 2008.
I requested him to sing only "Vadde Taal"
He actually told me the names of the Taals later on, but I didn't write them down and therefore forgot them. If he visits your city - ask him - and let me know :)
Raag Basant - 15 beat .. Meanings: Basant Chariya Phooli Banraee
Raag Dhanasri - 18 beat .. Meanings: Har Charan Sharan Gobind Dukh Bhanjana
Right Click and choose SAVE AS to download the files !
** Update on 22/Feb/2008 ** I was sharply reprimanded by a friend about the above recording. Apparently it's Raag Bhimpalasi, not Raag Dhanasri.
I asked "what's the difference?"
I was told "Bhimpalasi = Madhyam is Vadi .. and Dhanasri = Pancham is Vadi "
I actually thought " errrr ... ok .. I'm still not going to be able to tell the difference . " but said " theek eh ... If you insist - I'll mention it"
***
Raag Kaliyaan - 9 beat + Raag Bihagra - Roopak .. Meanings: Nain Mahinje Taras De Pasee Didaar & Ratte Ishq Khudaae Rang Didaar Ke
Malkauns 12 Beat ..
I requested him to sing only "Vadde Taal"
He actually told me the names of the Taals later on, but I didn't write them down and therefore forgot them. If he visits your city - ask him - and let me know :)
Raag Basant - 15 beat .. Meanings: Basant Chariya Phooli Banraee
Raag Dhanasri - 18 beat .. Meanings: Har Charan Sharan Gobind Dukh Bhanjana
Right Click and choose SAVE AS to download the files !
** Update on 22/Feb/2008 ** I was sharply reprimanded by a friend about the above recording. Apparently it's Raag Bhimpalasi, not Raag Dhanasri.
I asked "what's the difference?"
I was told "Bhimpalasi = Madhyam is Vadi .. and Dhanasri = Pancham is Vadi "
I actually thought " errrr ... ok .. I'm still not going to be able to tell the difference . " but said " theek eh ... If you insist - I'll mention it"
***
Raag Kaliyaan - 9 beat + Raag Bihagra - Roopak .. Meanings: Nain Mahinje Taras De Pasee Didaar & Ratte Ishq Khudaae Rang Didaar Ke
Malkauns 12 Beat ..
An Exercise in Focus
I promised to upload more recordings of the New Year Diwaan at the Bangkok Gurudwara.
Here is one more recording of the Waheguru Jap Simran / Naam Simran - led by Bhai Gurmit Singh Shaant.
Right Click and choose Save As to download.
Listen to it LOUD.
There are 2 levels of listening that you can access in this recording.
The one you want to try getting a hold of is the sheer majesty of almost 1000 voices singing the Lord's praise in unison.
See how it goes for you.
as for me, well .. I still haven't been able to stop laughing at the guy on my right.
(updated 29/2/2008: In case you didn't catch it - I'm not being serious)
Here is one more recording of the Waheguru Jap Simran / Naam Simran - led by Bhai Gurmit Singh Shaant.
Right Click and choose Save As to download.
Listen to it LOUD.
There are 2 levels of listening that you can access in this recording.
The one you want to try getting a hold of is the sheer majesty of almost 1000 voices singing the Lord's praise in unison.
See how it goes for you.
as for me, well .. I still haven't been able to stop laughing at the guy on my right.
(updated 29/2/2008: In case you didn't catch it - I'm not being serious)
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